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The Racist Undertones of Guptagate

The Racist Undertones of Guptagate

The City Press made an astonishing error of judgement in deciding to publish Phumlani Mfeka's more or less fascist rant on Sunday. Presenting this extraordinarily crass form of ethnic chauvinism under-girded by a clear threat of violence as if it were a legitimate...

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The Weirdness Closes In

The Weirdness Closes In

On the face of it, Mamphela Ramphele's long political Calvary has not seemed so strange. It has been clear ever since she returned to South Africa, flushed with neoliberal propaganda and plugging effortlessly into the right-wing smear campaign against President Mbeki,...

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Brothers in Arms – Q & A with James Ngculu

Brothers in Arms – Q & A with James Ngculu

James Ngculu joined Umkhonto we Sizwe (MK) after the 1976 uprising of Soweto. He occupied a variety of posts within MK and spent most of his time abroad in exile, where he became one of Chris Hani's closest companions. After 1994, he acted as the Provincial Secretary...

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Brett Murray’s ‘Struggle’ | by Tom Devriendt

In his book Art and The End of Apartheid, John Peffer writes about the Medu Art Ensemble: “For them a true culture of the people would be one that was not exclusive to the elite of the world of art galleries, but was seen in the streets, on T-shirts and posters (…).”...

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An Explanation by Brett Murray

Artist Brett Murray, in his affidavit, explains why he painted 'The Spear' "At the outset, I would like to say that I am a proud South African and a former supporter of the ANC. I am not a racist. I do not produce art with an intention to hurt, humiliate or insult,...

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